Cry with the Promised Land: singing for nationalist and religious environmentalism amid Burma’s war

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ABSTRACT As the planet’s ecological crisis deepens, what can music reveal about the shapes that environmentalism is taking across the world? This article shows that music is a sensory pathway into notions of nature and of saving nature in repressed and marginalised places. Drawing on ethnographic fieldwork since 2010 in the war-torn Burma–China–India borderlands, I explore a dissident rock band’s pioneering environmentalist song. The song’s Kachin Jinghpaw language lyrics talk of ecological destruction through a worldwide trope—‘nature is crying’—but express more specifically a nationalist and religious environmentalism. The song calls on Christian Kachin people to rescue a God-given national homeland, amid the broader album’s call for ethnonational resistance against a ‘colonising’ military regime in Burma (Myanmar). I explore the song’s lyrics and karaoke music video—line-by-line and scene-by-scene—as a way to sense both the logic and feeling of environmentalism emerging amid war.