Abstract

Abstract: The first step toward winning asylum in the United States is the Credible Fear Interview (CFI), in which the applicant narrates their life in a way that conforms with legal expectations of “credibility.” This interview process appears in several recent literary works, most notably Valeria Luiselli’s nonfiction work, Tell Me How It Ends . However, the narrative situation of the CFI, this moment of high-stakes, transactional storytelling, also provides a way of interpreting recent migration literature and understanding how such works perform credibility for the reader. By analyzing the interplay of legal and literary narratives in Luiselli’s Lost Children Archive , this article positions the CFI as the primal scene of narration for recent migration fiction.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call