Creative preservation: The development of an artistic approach to the preservation and presentation of the past

Abstract

The article proposes “Creative Preservation” as an artistic approach to contemporary questions concerning the preservation and presentation of archaeological sites. By examining critically the role of cultural heritage today, it attempts to search for alternative perspectives and to retrieve forgotten sensibilities such as Diderot's “Poetics of Ruins”. It first examines concepts of time and authenticity, especially in archaeological sites, as interpreted by various authors from Poincare, von Schiller, Bergson and Simmel to Choay and Jokilehto.Dedicated to immaterial qualities of places, “Creative Preservation” suggests the refinement of “images of authenticity” in an attempt to penetrate and to communicate with deeper levels in the complex reality of ancient places – actual and specific locations which anchor and root memory in material.A first realization of this approach is presented in the form of the spiral viewpoint recently constructed at the northwest part of the archaeological site of Ramat Rachel near Jerusalem.