Abstract
The article summarizes a study of the creativity of N.Karakhan in the context of the development of painting of Uzbekistan of the twentieth century. In addition, tendencies in the artist’s work are investigated and the peculiarities of the artist’s painting in the 20-30s, in the 40-50s and in the 60s of the twentieth century are revealed. Moreover, new methodological developments were included to revise the historical and theoretical aspects of the study of painting in Uzbekistan of the 20-30s of the XX century and to reveal the main trends in the development of painting of Uzbekistan of the 20-30s of the XX century.
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