Abstract
ABSTRACT The purpose of this essay is to present, in comparative terms, how political-aesthetic excess is the common element of issues like the body and transgression arranged under different contexts in the works of Mikhail Bakhtin and Georges Bataille. Thus, despite coming from different fields (from dialogical studies of language and observations of general economy), both authors move through mutual ground to the production of meanings which is based on ephemerality, ambiguity, and ambivalence of excess.
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