Abstract

Nomadic or transhumant pastoralists in the Ennedi Highlands in north eastern Chad have always had to cope with scarce resources. When the region was first made use of by pastoralists circa 3000 BC, aridification had already started. Despite progressing aridification, the landscape was used for herding cattle and goats, and later also for keeping horses and cam- els in the following millennia. Hundreds of rock art sites are witness to this appropriation. While demographic data are still missing, it appears that comparatively intense dwelling ac- tivities inevitably put pressure on the scarce resources. In the art motifs from the last five mil - lennia a fine-grained regionalization is expressed, indicating that in rather small neighbouring spatial units different identities were manifested, notwithstanding the common economic base. Different rock art traditions articulate different appropriation of the landscape by mapping markers of identity onto the land. Rock art depicts an ambiguous portrait of the social relations among the groups within the area since there are indications of cooperation on the one hand, whereas on the other hand many pictures of mounted warriors and numerous sentinel figures point at the potential for conflict — yet without ever depicting it.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call