Abstract
This paper discusses pidgin English, and far from calling it a corrupt and decayed form of the English language (as has been the case in many well-meaning literary circles), shows that pidgin has poetic resources capable of expressing a wide range of mentalities, tastes, customs, and even fashion itself. Because of this flexibility, pidgin reveals a high degree of closeness to the original speech patterns, notably in an attempt to preserve syntactical equivalents. Thus, if pidgin is adopted as a lingua franca throughout the sub-Saharan African region, it will enable Africans to take new pride in their artistic traditions and non-Africans to share in the joy and excitement of Africa's art.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.