Abstract

HEATHER BELNAP is an associate professor of art history & curatorial studies and directs the European Studies program at Brigham Young University. She has presented and published widely on women in art from 1750 to the present. Her latest book, Marianne Meets the Mormons: Representations of Mormonism in Nineteenth-Century France (co-authored with Corry Cropper and Daryl Lee), will appear with the University of Illinois Press this fall.EMILY LARSEN is a Utah based curator, arts administrator, researcher, and collage artist. She currently works as the Associate Director at the Springville Museum of Art. She is passionate about Utah's art history and loves working with local Utah artists. She has an M.A. in U.S. History from the University of Utah. Her research and writing focuses on Utah artists and the Utah art scene from about 1880 to 1950.BRENDA CASE SCHEER, FAICP, FAIA, is professor emeritus and former dean of the College of Architecture and Planning at the University of Utah. Her research focuses on the theory of urban form and urban design. She was a Loeb Fellow at the Harvard Graduate School of Design and has served on multiple community boards, including her current appointment to the Salt Lake City Planning Commission.JAMES R. SWENSEN is an associate professor of art history and the history of photography at Brigham Young University. He is the author of Picturing Migrants: The Grapes of Wrath and New Deal Documentary Photography and In a Rugged Land: Ansel Adams and Dorothea Lange's Three Mormon Towns Collaboration, winner of the Juanita Brooks Best Book in Utah History from the Utah State Historical Society in 2019, and co-author (with Farina King and Michael Taylor) of Returning Home: Diné Creative Works from the Intermountain Indian School.LAUREL THATCHER ULRICH retired from Harvard University in 2018 and now lives in Bala Cynwyd, Pennsylvania. She received the 2017 Evans Biography Award for A House Full of Females: Plural Marriage and Women's Rights in Early Mormonism, 1835–1870.

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