Abstract

The contribution by many Argentines to the Iberian medieval studies during the 20th century is a widely known and documented fact. The same can be said of the Brazilian and Argentine contributions to the specific research field of Galician-Portuguese lyric. It is necessary, at this point of history, to revisit and review these publications of diverse magnitude and perspective, such as the academic writings of Nydia G. B. de Fernandez Pereiro, in order to evaluate and consider its later impact and legacy. This paper comes forth as one of the first results in the investigation by some members of the project “Tensions and contacts in Romanic lyric tradition from the Middle Ages and Renaissance towards its projections in Modernity” (Dir. G. Chicote and S. Disalvo, 2014-2017), in the IdIHCS and the Facultad de Humanidades y Ciencias de las Educacion (UNLP, Argentina).

Highlights

  • Vestigios españoles de bestiarios medievales' estuvo a cargo del mismo Gazdaru

  • B. de Fernández Pereiro; estudos medievais; Arxentina

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Summary

Introduction

El poeta argentino Francisco Luis Bernárdez contribuía en el año 1952, con su Florilegio del Cancionero Vaticano, a la divulgación en la Argentina de la lírica gallegoportuguesa o “portugalaica”, como a él le gustaba llamarla, de estos “trovadores, segreres y juglares” de diversas regiones de España y moradores de las cortes de los grandes reyes de León, Portugal y Castilla en los siglos XII y XIII: de fuera de España llegó a ellas gente del gay saber, formando con sus cantos un río lírico cuyas fuentes estaban en Provenza y en Italia y cuyo caudal desembocó en las cortes ibéricas después de seguir el largo cauce del camino de Santiago y de fertilizar con sus aguas mara-­ villosamente sonoras las tierras que lo bordea­ ban y sobre todo las que constituían su sagrado objetivo. (Bernárdez 1952: 12). Contribución a los estudios de lírica medieval gallegoportuguesa en Argentina en la década de 1960: la obra de Nydia G. Santiago Disalvo[2]; Carlos Nusch[3] Dedicado a nuestra amiga y maestra, Mercedes Rodríguez Temperley

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