Abstract
This article is based on the theoretical basis of Chinese and Western culture, with Chinese and Western classical paintings as the object of comparison, with problem awareness as the research perspective, and through five aspects of aesthetic characteristics, spatial awareness, painting themes, color concepts and development roads of Chinese and Western classical paintings. Aesthetics comparison and research in this respect reveal the different cultural connotations and aesthetic qualities of Chinese and Western classical paintings
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
