Abstract

Abstract This article analyses the Risiera di San Sabba, the museum of the only Nazi concentration camp in Italy with a crematorium, and the Foiba di Basovizza, the prominent memorial commemorating the mass killing of Italians carried out by Yugoslav Partisans, examining how they exhibit Italian complicity with Nazi Germany and shed light on the politics of memory in Italy’s post-war history. Through a theoretical framework grounded on theories of nationalism, the argument that will be put forward is that the mentioned museums represent fascism as an alien object and Italians as victims/freedom fighters, neglecting Italy’s direct involvement in the Holocaust. Concluding remarks will suggest that the historical lack of critical analysis enabled the juxtaposition of the memory of the Holocaust with the Foibe, paving the ground for the proliferation of post-fascist historical accounts and their institutionalisation as manifest in Italy’s current political landscape.

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