Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s

Abstract

To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and1970s. This time was that of the so-called performative turn, which pulled theatre away fromrepresentation and towards presentation. The subsequent development can be designatedby various labels, such as postdramatic theatre, the aesthetics of the performative and, in thecase of dramatic texts, the no longer dramatic theatre text, “In-Yer-Face” theatre, etc.
 In Slovenia, a decisive turn from text to event took place towards the end of the 1960s.During this time, the first happenings and performance art pieces were taking place. Inreviewing the performance Pupilija, papa Pupilo pa Pupilčki (Pupillja, Papa Pupilo and thePupilceks), Veno Taufer went as far as to declare the death of literary theatre. At firstglance, it would thus appear that contemporary playwriting is merely repeating earlierpatterns. While contemporary playwriting may more radically formulate linguistic andaesthetic games, it deconstructs the dramatic form and thus radicalises the premises ofthe neo-avant-gardes; in the last two decades, we have been talking about a return todramatic, post-postdramatic and dramatic drama, etc.
 Through a comparative analysis of two of the more radical texts from Blaž Lukan’s anthologyGenerator:: za proizvodnjo poljubnega števila dramskih kompleksov (The Generator:: forManufacturing Any Number of Drama Complexes), namely Dušan Jovanović’s Sinopsisza happening Hlapci (Synopsis for The Happening of Lackeys) and Rastko Močnik’sGenerator, ki iz določenih enot in po preprostih pravilih proizvaja poljubno število dramskihkompleksov (A Generator that Produces Any Number of Drama Complexes from GivenUnits and According to Simple Rules) as well as Simona Semenič’s mi, evropski mrliči(we, the european corpses) and Varja Hrvatin’s Vse se je začelo z golažem iz zajčkov (ItAll Started with the Bunny Rabbit Goulash), the paper shows that the neo-avant-gardeis more about the question of theatrical performances and the form of the dramatic text,while contemporary drama is more about the search for authenticity and dramatic effects.