Contemporary Crime Fiction, Cultural Prestige, and the Literary Field

Abstract

Crime fiction laboured for many years under a persistent foundational anxiety over its cultural status. However, the cultural landscape has changed considerably in recent years, and many critics have identified a transformation in crime fiction's positioning as central to this transformation. This essay examines this claim by first looking at several ways in which crime fiction works well with a number of recent attempts to described key tendencies in contemporary literary production including its global view, its interest in the past, and its interstitial nature. It then locates crime fiction within the process known in Russian formalist terms as ‘canonization of the junior branch’ by which lower-status genres influence or indeed replace higher-status genres. Finally, in an attempt to trace the extent of this infiltration, the essay examines book reviews, festivals, and literary prizes for evidence that crime fiction has indeed achieved improved status both within a range of national cultures and internationally.