Conrad's Carbon Imaginary: Oil, Imperialism, and the Victorian Petro-Archive

Abstract

This article traces the rise of modern oil culture to interlocking innovations in British fiction, political economy, natural science, and colonial capitalism. It advances a method called “transitive reading” to understand those innovations and to show how writers first conceived of oil in relation to established energy inputs such as coal. The article then reads Joseph Conrad's late masterpiece, Victory (1915), as an ambivalent artifact of the British petro-imagination. In representing the “liquidation” of overseas coal capitalism, Victory articulates a desire for freedom from carbon power, while nevertheless binding that desire to a world where petroleum or “liquid coal” was becoming increasingly constitutive of the self.