Abstract
Chapter 3 expands on the discussion of categories of art. The chapter evaluates four models for a theory of concepts for categories of art: a classical account derived from traditional, definitional theories of art; a prototype theory derived from Kendall Walton’s canonical discussion of categories of art; an exemplar theory derived from Morris Weitz’s anti-essentialism; and a knowledge-based account derived from Arthur Danto and Noël Carrol’s cognitivist theories of art. The chapter continues with a discussion of artworks and artifact concepts and concludes by arguing that a knowledge-based account of concepts provides the best model for understanding the structure of categories of art. and their role in our engagement with artworks.
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