Abstract

The paper’s main goal is to apply the concepts of fiction , politics and police as defined by Jacques Ranciere as analytical tools for narrative. By putting together all of those concepts the paper’s intention is to answer three questions: Which is the possible work of fiction or of the dissents in the novel Estrella Distante? What are the new forms of enunciation aimed at changing the police logic of the story? And finally, how is the exclusion space (to which the narrator and his friends are confined) being recon figured? The final objective is to verify the following hypothesis: can the novel Estrella Distante be perceived as the search of politics and an incessant investigation of re-distribution of notions and places, both of which seem to be a an unaccomplished project of the other work by Bolano, La Literatura Nazi en America.

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