Abstract
Popular church music is one of the newer musical genres in Tanzania. It is characterized by incorporating improvisation, by the use of electric guitars, keyboards and drum machines, and by the body movements which accompany its performance. This paper shows that composition processes in this style are collaborative and take place in multiple stages.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
