Abstract
Preface Introduction Proem 1. Wit and judgment or, Lessing and Kant 2. What is radical in Kant's 'Critique of Aesthetic Judgment' 3. Holderlin's 'Swift Conceptual Grasp' 4. Nietzsche's moods 5. Telling Sadism in Musil's Young Torless 6. Rapture in exile: Kafka's The Boy Who Sank Out of Sight 7. Hearing Homonymy in Trakl's 'De Profundis' 8. Benjamin's 'Affective Understanding' of Holderlin's odes 'The Poet's Courage' and 'Timidity' Notes Index.
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