Abstract
Rebekah Modrak's Learning to Talk like an (Urban) Woodsman: An Artistic Intervention project presents an artistic critique of the Best Made Co. lifestyle “axe” brand. The article and the Re Made Co. “plunger” art piece it describes engage directly with issues discussed by brand researchers and other scholars, such as the strategic use of appealing design and product aesthetics, the sign value of brands, and the creation of brand identity and cultural codes based upon the performance of an idealized, historicized and gendered mythology. The artwork itself, the reactions to the Re Made Co. project and the artist's reflections, all add to the interdisciplinary exploration of brands, brand culture and meaning.
Published Version
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