Abstract

Critical light is shed on Emotional World Tour: diarios itinerantes (Miguel Gallardo and Paco Roca, 2009), a multilayered meta-text about the creation of and subsequent promotional tour for two award-winning comics from 2007, Arrugas and María y yo. Though numerous scholarly studies have attended to these narratives of disability (Alzheimer’s and autism), I argue that Gallardo and Roca were among the first to reflect on their own comics critically, an exercise carried out from within the realm of comics creation. In the context of recent theorizations of scholarly composing with comics and an intensification of self-reflexivity within the Affective Turn, I read Gallardo and Roca’s play on the early ‘voyages and travels’ genre as a means of harnessing its powers of scientific and intellectual enquiry to comment on image/ text representations of cognitive disability, and of theorizing from early on about the changing landscape of comics in twenty-first-century Spain.

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