Abstract

Identifying the source camera of images and videos has gained significant importance in multimedia forensics. It allows tracing back data to their creator, thus enabling to solve copyright infringement cases and expose the authors of hideous crimes. In this paper, we focus on the problem of camera model identification for video sequences, that is, given a video under analysis, detecting the camera model used for its acquisition. To this purpose, we develop two different CNN-based camera model identification methods, working in a novel multi-modal scenario. Differently from mono-modal methods, which use only the visual or audio information from the investigated video to tackle the identification task, the proposed multi-modal methods jointly exploit audio and visual information. We test our proposed methodologies on the well-known Vision dataset, which collects almost 2000 video sequences belonging to different devices. Experiments are performed, considering native videos directly acquired by their acquisition devices and videos uploaded on social media platforms, such as YouTube and WhatsApp. The achieved results show that the proposed multi-modal approaches significantly outperform their mono-modal counterparts, representing a valuable strategy for the tackled problem and opening future research to even more challenging scenarios.

Highlights

  • We evaluate results on the Vision dataset, which contains approximately 650 native video sequences with their related social media versions, collecting almost 2000 videos recorded by 35 modern smartphones

  • We mainly focus on identifying the source camera model of digital video sequences, as the analysis of digital images has been widely addressed in the forensic literature, with excellent results [2,18,21,22]

  • This paper proposes a novel multi-modal methodology for closed set camera model identification related to digital video sequences

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Summary

Introduction

Camera model identification has gained significant importance in multimedia forensic investigations as digital multimedia contents (i.e., digital images, videos and audio sequences) are increasingly widespread and will continue to spread in the future with the advance of technological progress. This phenomenon is mainly attributable to the advent of the internet and social media, which have allowed a very rapid diffusion of digital contents and, made it extremely difficult to trace their origin. Whenever we take a photograph with a digital camera or smartphone, we trigger an elaborate process consisting of several operations.

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