Abstract

This chapter argues that the BBC’s Sherlock limits the development of professional female characters, suggesting an anxiety about such characters competing with the male detective. It examines how professional female clients who appear prominently in Conan Doyle’s Sherlock Holmes stories are presented as formidable characters who draw the detective’s praise, and contrasts this to the total absence or relative invisibility of female clients in Sherlock. Finally it explores how Sherlock introduces two female characters with careers related to crime detection and argues that, while the development of these characters is limited by the series in general and by Sherlock himself in particular, they nevertheless play important roles in the narrative and in the development of Sherlock’s character.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.