Abstract
There is no layer of a painting where we are fully satisfied with our present understanding of its material structure, and its deterioration over time. Most research carried out today into the materials of paintings concentrates on a fuller understanding of properties, to further understanding of the consequences of conservation treatments, both immediate and long-term. This includes an understanding of the effects of earlier treatments. This book contributes significantly to the selection of appropriate and controllable cleaning methods for varnished and unvarnished paint surfaces. It is a distillation of practical experience over many years in formulating a cleaning treatment for a given object. While the case histories describe 19th- and 20th-century paintings and furniture exclusively, and may emphasise the cleaning of never-varnished surfaces to an extent unusual in some conservators'experience, the general principles are applicable to the surface cleaning of both traditional and modern paint media. These in fact, may be found on sculptures, ethnographic materials and even textile and paper supports, as well as on paintings, gilded surfaces and furniture. Aqueous methods are certainly be cleaned safely by the more traditonal methods based on the use of solvents. -- ICCROM
Published Version
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