Abstract

This article examines the ambivalent relationships between classical texts and post-colonial literatures in English, with special reference to the work of Derek Walcott and Seamus Heaney. It is argued that analysis of the formal, discursive and contextual relationships between ancient and modern in poetry and drama reveals significant correspondences as well as important differences between the literary and political role of the Classical Tradition in Caribbean and Irish writing. These can be revealed and explained by the writers' balance between ideas of consolation, redress and new beginnings. This in turn opens the way to re-assessment of some of the models of appropriation, creativity and dialogue which have been used in recent research into both Reception Studies and Post-Colonial Literatures.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.