Classic crossword in the space of contemporary music art

Abstract

The purpose of the article is to identify the key characteristics of the style of musical crossover and its trends in the development of musical art. The research methodology is based on the use of art history and cultural studies in the study of these issues, and a set of such methods: analytical, comparative, historical in application to the concept of crossover in contemporary music art. The scientific novelty of the work is to generalize the phenomenon of classical crossover, the peculiarities of development in world music art and its impact on the development of pop vocals, expanding knowledge about modern music culture. Conclusions. The emergence of the classical crossover in the musical art of the twentieth century. related to the global issue of mass culture and its convergence with elitist art, including opera, classical music, which was also due to the spread of new trends in the world, variability in the interpretation of classical music, while expanding the audience and thus popularizing the classics. At the end of the XX-beginning of the XXI century, the media, the Internet led to the spread of the classic crossover on a new level and, accordingly, the style of musical crossover becomes an integral part of modern culture, a multicultural environment. mediated by mass art, which, however, does not make them less valuable to humanity.
 Key words: classical crossover, musical art, mass culture, vocal school.