Abstract
The paper examines the problem of cross-cultural interactions; within this context circus art is analyzed. Art in general and especially circus art can be considered as a field of dialogical communication and as a way of giving new human experiences, spiritual values and worldviews. It is hypothesized that circus art is a complex polyfunctional social and cultural phenomenon, which inherits communicative properties of art. It is possible and desired to study circus art in the context of cross-cultural dialogue. The article deals with modern cultural situation and its orientation on cultural dialogism; it also displays general factors that form the role of circus art in the cross-cultural interaction.
Highlights
Circus art as a certain cultural phenomenon was investigated in the Ukrainian humanities, originated from the kindred Russian-language humanities, by V
The paper aims to reveal and analyse the main factors forming the role of circus art in cross-cultural dialogue
The role of circus art in worldwide culture is presented in the following theses: 1. The language of circus art, which carries “live” communication and is oriented towards unity, has no limitations typical for natural languages
Summary
Circus art as a certain cultural phenomenon was investigated in the Ukrainian humanities, originated from the kindred Russian-language humanities, by V. By virtue of its importance and integrative functions in today’s communicational processes, art is regarded as significant in cross-cultural dialogic interactions. Being a universal language of culture, art creates a basis of the dominant human emotional perception; on its level it facilitates changes of people’s visions and values.
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