Abstract

Abstract 24 City’s narrative spans three generations of workers, with each reflecting the affinity between space, personal, and collective memories in an urbanising Chengdu. The first generation, involved in the factory’s establishment, experiences a close-knit community life centred around the factory. The second generation faces the factory’s decline and the shift to a market economy, leading to varied degrees of connection with Chengdu. The third generation embodies increased social and spatial mobility, moving beyond the factory’s confines and engaging with the broader urban landscape. 24 City strategically uses distinct interview locations to link personal narratives with broader social realities, illustrating the complex interplay between historical memory, personal experiences, and spatial dynamics. The film documents Chengdu’s transition from a production-focused space to a consumption-oriented space, reflecting China’s rapid urbanisation and marketisation. Through its multi-generational portrayal, 24 City reveals the nuanced impact of these transformations on individual lives and collective memory.

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