Abstract
Thirty years ago, in June 1964, a young actor stepped on to a make-shift stage upstairs in the Court House in Niagara-on-the-Lake to play a character auspiciously named “A” in Shaw’s Village Wooing. After a circuitous route through many of the regional theatres in Canada, he returned in 1980 as the Artistic Director destined to set the Shaw Festival on a productive new course. That young man was Christopher Newton, and his career to date spans three of the most interesting decades in Canadian theatre, touching many of the groups that have shaped what Canadian theatre is today — Canadian Players, Manitoba Theatre Centre, Stratford Festival, Theatre Calgary, Vancouver Playhouse. Looking at these thirty years in the life of one actor-director puts a personal face on the recent history of theatre in Canada; listening to his story, frequently told in his own words, we catch some of the great changes that Canadian Theatre Review has documented since 1974.
Published Version
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