Abstract
Neo-Latin poetry of the 16th century is generally open to each of its regional, vernaculare literatures. The paper illustrates this fact by two epic poems: Christian Schesaeus' Ruinae Pannonicae and Heinrich Porius' Iter Byzantinum. It argues that they cannot fully be understood without considering their relationship to the Hungarian poems of Sebastian Tinodi and the German tradition of "Newe Zeyttungen".
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
