Christian martyrdom and Yusin censorship's conundrum: the 1977 screening suspension of Toward the High Place (1977–1981)

Abstract

ABSTRACT This article focuses on the unconventional censorship case of Toward the High Place (1977), a religious film that dramatized the life of Reverend Ju Gi-cheol. Despite passing censorship with ease, even selected as a ‘superior film’ by the state, Toward the High Place's screening was delayed multiple times and ultimately prohibited, only to be shown after the collapse of Park Chung Hee regime. Given the Protestant Church's crucial role in the state's diplomatic relations with the United States, the decision to prohibit the film's screening was highly unusual. Through a close reading of the film's censorship file and other archival documents, I reconstruct the various censorship processes that came to constitute the film's visual grammar. As an instance of unofficial censorship, I argue that Toward the High Place demonstrates how censorship practices, socio-political conditions, and the changing status of organized religion influenced cinematic representation, while also revealing the limits of official censorship procedures.