Abstract
ABSTRACTThis article examines questions of mediated reality, authenticity, and fandom in the context of two distinct media spaces: Japanese pop idol culture and found footage horror films. These two worlds are linked by the concept of the ‘mutual agreement’ (o-yakusoku) – an agreement between fans and creators that certain illusions of intimacy and reality will not be questioned. In the found footage horror film Shirome, which stars the pop idol group Momoiro Clover Z, we see how this ‘mutual agreement’ serves to empower fans (who can feel a sense of protectiveness as the idols they worship are terrorized) and uses the trappings of reality (cheap camera work, performers working without a script) to create a fictional world that nonetheless feels authentic to viewers. Ultimately, Shirome is an example of what happens when the institutions of government, family, and religion lose their power and are replaced by transnational, transmedia communities that openly embrace their illusoriness.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
