Abstract
Abstract The history of Chinese films in the 1920s and the 1930s refers to two periods that are at once continuous yet distinctive. Created and formed in the “Concept—Aesthetic” system of “Benevolence—Legend-Influenced Image Narration” of 1920s native film, Chinese film underwent an evolution from the literary film of the Domestic Film Movement to genre film in the tide of commercial films. Then upon entering the 1930s it faced double upheavals: within from the film industry and without, from the socio-historical context. This made Chinese films in the 1930s more complex than before. From the perspective of historical dynamics, potential energy and strong left-wing influence hidden within Chinese film itself were the main causes of this complex historical phenomenon.
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