Chapter 5 - Elements of MIDI Orchestration

Abstract

In the first four chapters we learned several concepts and techniques related to the practical aspects of sequencing, such as MIDI messages, editing techniques, quantization options, audio and MIDI track use, and synchronization procedures. While these subjects represent a very important part of the knowledge required to achieve a higher standard in modern and contemporary production using MIDI/audio sequencers, the musical aspect of such productions also plays an extremely important role. The orchestration techniques involved in the realization and production of a project based on MIDI and audio are crucial to obtaining professional final results. I have referred to the equipment involved in the contemporary composition and production process as “the orchestra of the 21st century.” This concept involves a learning process based not only on technical skills and procedures but also (and sometimes mainly) on orchestration techniques and rules that are part of a more traditional approach to writing, arranging, and orchestrating. This often means that no matter how well you know your sequencer, synthesizer, and sound modules, if you orchestrate a part for the wrong instrument or out of its range the results will be disappointing and the final production unprofessional.