Abstract
Based on the musical-historical analysis, the article shows that Alfred Schnittke occupis a special place in the history of Russian music of the Soviet period. Being a composer of the sixties, he became one of the most performed representatives of the Soviet musical culture of the second half of the 20th century in the world. The object of the study is the composer's chamber-vocal heritage in all the variety of text sources available to modern science. Artistic-stylistic and performing characteristics of A. Schnittke's chamber-vocal music are considered. The novelty of the study is the investigation of issues related to the specific methods of performing Schnittke's chamber-vocal opuses.
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