Écfrase, cinema e filosofia: o “poder transmedial” dos conceitos em Um teste de resistores, de Marília Garcia

Abstract

This article analyzes the ekphrastic poems of the contemporary Brazilian poet Marília Garcia, created from cinematographic works. Considering the transmedial approach of concepts in Garcia’s poetry – idea introduced by Joana Matos Frias in the article “‘Tudo o que em mim pensa est á filmando’: pertença e repetição na poesia brasileira contemporânea” (2016) – this article ex-plores the idea that the ekphrasis, in her work, appears as a form of critical analysis of the movies described. This approach suggests a poetic practice that is also an exercise in critical reflection, placing the self-poet in a double condition when in contact with the work of art, as a spectator and receiver and also as a producer of critical reflections through poetic making itself