Ceremonial preoccupations in the performances of the Iraqi playwright

Abstract

The research deals with (the ceremonial preoccupations in the performances of the Iraqi playwright) the Iraqi ceremonial theater with a specificity that emerges as an Arab theatrical style that relied on reviving the legacies and popular folklore drawn from mythology and tales, as what was called quasi-dramatic phenomena as the foundations of an authentic Arab theatrical style employed in harmony with dung overlap with the ritual manifestations of The ceremonial dimensions are seen as one of the most important formative elements of the Arab ceremonial theater and one of the foundations of rooting. Those appearances, which came as constructive foundations, produced an idea that was reflected in the theatrical show with its festive style with an Arab identity, and that this reflection was represented in the operational structures of the theatrical show according to the Arab theoretical vision, and the research had focused on the representations of the festive appearances.
 The methodological framework came to review the research problem, the need for it and its importance in addition to defining and defining the terms. As for the second chapter, it came on two sections. Under the title (Celebratory Visions in Arab Theater Performances), the researcher went to create an approach between celebration and celebration in its philosophical dimension and the theatrical artistic work in Arab theater performances.
 The researcher adopted the descriptive, analytical and intentional approach in selecting and processing the sample in the third chapter of the research, and adopted the indicators that resulted from the theoretical framework as a tool for measurement.