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Open Accesshttps://doi.org/10.3366/film.2014.0008
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Cite Journal: Film-Philosophy |  Publication Date: Dec 1, 2014 |
 License type: cc-by-nc |
Affiliation: Lancaster University Ghana
This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and engages in a critical reading of Sofia Coppola's 2006 film, Marie Antoinette .
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