“Catachresis at the Origin”: Names and Power in Toni Morrison’s Fiction

Abstract

Abstract: Toni Morrison’s fiction is replete with characters who carry nicknames, who rename themselves, or are renamed by others. Some misnamings carry the stories of histories of marginalization and oppression—as with the “drunken yankee” responsible for the naming of Macon Dead in Song of Solomon . Morrison’s characters also rename themselves to resist the legacy of American slavery and institutionalized racism. What ties Morrison’s namings, misnamings, and renamings together is the sense that there is no path to the recovery of true names for many African American people. The consequence is not powerlessness; rather, the “catachresis at the origin” that Gayatri Spivak refers to is intuited organically by many Morrison characters, who embrace misnaming and rename themselves as a mode of claiming self-ownership. Catachresis may begin as rhetorical violence imposed from without, but in Toni Morrison’s fiction, it can end as an opportunity to assert power, autonomy, and a boundless creativity.