Abstract
The interiors of eighteenth-century residences were richly embellished with technically sophisticated polychromed surfaces. Close study reveals a greater variety than might initially be expected. Different decorative effects on surfaces from the eighteenth century can often only be revealed through detailed study by conservators, including scientific analysis, archival studies and the evaluation of documentary sources on painting techniques. Reconstructions and even contemporary copies very often show less variety than the original surfaces. One particular research project undertaken by an art historian in co-operation with the conservators of the Bavarian Department of State-owned Palaces showed that the court's craftsmen of Ansbach not only imitated precious materials but also copied imported French furniture in order to complement existing interiors. This paper gives examples of detailed studies of original eighteenth-century polychromed surfaces, and shows the necessity of parallel research by art historians, conservators and scientists.
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