Abstract

An investigation of the relationships between empathy, music learning, and shared music values may provide new insights into the ways that musical meaningfulness and the symbiotic eudaimonic ideal – “flourishing of oneselfandof others” – might be cultivated. We investigated the relationships between parent perceptions of children’s empathy, parent beliefs and values about music, and formal Suzuki training over a period of 6 months, to understand ways in which shared music learning experiences might relate to emotional and musical connections between parents and children. Participants were parents of 48 Suzuki students at a structured Suzuki school in the Midwestern United States. We designed a survey containing an adapted version of the Griffith Empathy Measure for children with additional questions regarding family demographics and values regarding music education. Participants completed the survey at the start of the lesson year, and again 6 months later. Children who persisted in group lessons throughout the study began with significantly higher empathy scores, compared to those children who did not participate in group lessons. Children’s initial empathy scores were significantly positively correlated with parents’ ratings of the importance of music instruction generally, and of Suzuki instruction particularly, to their family. A significant but moderate correlation was found between initial empathy scores and the belief that music would help the child succeed in other areas. This exploratory study highlights potential relationships between family music values, children’s empathy, and participation in group music-making. Our findings are consistent with research demonstrating that child and parent personalities predict the duration of formal music training for children. They also support the philosophy of musical meaningfulness, by suggesting ways in which meaningful connections may be forged simultaneously between people who care for one another, and between people and the activities they care about. Our results point to the importance of providing a variety of music learning activities and structures that reflect the personality, needs, and interests of children and parents. We offer specific recommendations for future research to draw further insights and implications about these relationships.

Highlights

  • Music making is a virtually universal human behavior, observed in every human culture (Nettl, 1983)

  • Parent reports of children’s empathy were significantly positively correlated with parents’ estimations of empathy scores for children who stayed in lessons for the entire 6-month period increased from M = 2.44 (SD = 0.66) to M = 2.67 (SD = 0.62), while mean composite empathy scores for those who did not participate at all decreased from M = 1.48 (SD = 0.75) to M = 1.21 (SD = 0.78) over the same period

  • This trend would need to be studied with a larger sample, and over a longer duration, before an assumption could be made about the relationship between group lesson persistence and the development of prosocial behavior

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Summary

Introduction

Music making is a virtually universal human behavior, observed in every human culture (Nettl, 1983). Music is important in a wide variety of important social events, including weddings, funerals, and religious ceremonies, and during everyday activities like listening to the radio or watching television (DeNora, 2000). Behaviors like singing, clapping, or dancing to music allow for individual expression but are thought to convey unity as part of social, religious, and cultural activities among humans (Huron, 2006). Philosophers have associated music-making, human connection, and ethical well-doing since the time of Aristotle and Plato (Elliott, 2020). The potential for music to enhance human flourishing does not appear to stem from music’s power in its own right, but from a dynamic interplay of human interactions as people engage together in a musical activity that has shared value and meaning (Wolf, 2010; Silverman, 2012, 2013)

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