Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry

Abstract

In modern Iranian literature, Forugh Farrokhzad, undoubtedly, occupies a pivotal position. Her poetry presents the singular voice of an Iranian woman who dared to challenge the social and patriarchal boundaries imposed on Iranian women for centuries. Farrokhzad’s pioneering artistic career and her bold lifestyle created an unprecedented legacy for the woman artist in Iran. Her work defies all categories as she not only confronted the stereotypes forced on Iranian women’s identity, but she also challenged the long‐established tradition of the classic Persian poetry. In both arenas, Farrokhzad proved herself resilient and uncompromising. Her unique poetic voice articulates inclusion in literary and social activism and subversion from the mainstream male‐dominated literary circles. Confronting the individual and collective definitions of identity, and sexual and textual territories, Farrokhzad broke many boundaries and expressed the need for self‐awareness and affirmation of female identity. This study is an attempt, in part, to explore and investigate Farrokhzad’s rebellion against the confinement of self in the bondage of conformity and subjection and the delineation of her arduous journey to liberation and self‐empowerment.