Abstract

This issue of CTR takes up the discussion of theatrical activity from a geo-cultural premise–that of the Pacific Rim. The aim is to probe the intercultural exchanges between artists who work in Canada with their counterparts elsewhere on the Rim, to discover how, and how extensively, cultural differentiation by geography has been qualified, in terms of theatre, by the contemporary revolutions in communications . Air travel, film, video, phone, fax and other technologies of the post-postal era have enabled us to see more of each other, while international theatre festivals have provided sometimes revealing glimpses of different and overlapping cultures of performance.

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