Abstract

Forcibly confined in a precarious and overcrowded space amidst the spread of the COVID-19 pandemic, prisoners in Lebanon resorted to their smuggled cellphones. They produced and circulated images, videos, and sound bites documenting the dire experiences of living under a failing infrastructure. This article addresses this phenomenon by examining a corpus of 'prison cellphone recordings' mediated on social media platforms and Lebanese local news. I adopt the media as practice theory to claim that such fragmentary amateur cellphone media messages are the product of strategic and hybrid prison media practices. In addition, I employ the conceptual notions of hybrid media activism and media witnessing to investigate the political and testimonial function of prisoners' illicit engagement with digital technologies. I propose a typology of the mediated prison cellphone recordings and argue that these representations serve to mobilize support and relay visual evidence of prisoners lived experiences during the pandemic. Finally, I attempt with this article to instigate an approach to the examination of media from the prison; an approach that prioritizes illicit media practices behind bars and their 'traces' in the media.

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