Abstract
As well as being an academic, Chicago-born Tony Ardizzone is one of the most prominent American writers of Sicilian origin. In 1985 he travelled to Morocco and settled in Rabat, where he taught at Mohammed V University. As he has elucidated in more than one interview, he had no intention of writing about Morocco, even though, during his stay, he kept a diary. He travelled to Morocco a second time, in 1988, and, when he came back, he decided to weave some of the stories he had already started to draft into one collection of fourteen interlaced pieces, entitled Larabi’s Ox: Stories of Morocco, re-issued in 2018 as The Arab’s Ox to mark the 25th anniversary of the book publication. As this essay sets out to demonstrate, by setting the collection in a foreign territory at the crossroads (between Europe, Africa, and the Arab world), by choosing American characters (not just Italian Americans) who are struggling to balance their identity in a country whose mores they do not fully understand, Ardizzone aims at casting light on the difficulties and the negotiations each person of ethnic origin has to grapple with, in his/her path of recognition in America.
Published Version
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