Abstract
ABSTRACT The critically acclaimed novel Khwabnama by Akhtaruzzaman Elias is set in the 1940s and offers a “magical realist” portrayal of the lives and struggles of ordinary individuals of a rural community, with the emergence of the state of Pakistan and peasant struggles of the time serving as the backdrops. Towards the end of the novel, we see Tamiz, a landless peasant, deciding to alter the course of his journey to most likely join the rebellious farmers in their struggle for a fair share of the crops. In this paper, I analyze the character of Tamiz and the meaning and significance of his decisions and actions in the contexts of the novel and Elias’ oeuvre in an effort to excavate his ideas about subaltern agency and freedom. Tamiz’s action, along with the dreams and the magical elements of the novel, gestures towards barely visible and unspecified visions of freedom, which may be irreducible to languages of national liberation or class struggle, yet express Elias’ affirmation of the indomitable spirit of the subaltern to reject and resist the mold of servitude in which they find themselves.
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