Abstract
Books reviewed in this issueEighteenth‐ and Nineteenth‐Century Literature and CultureMehigan, Tim. Heinrich von Kleist: Writing after Kant.Mommsen, Katharina. «Orient und Okzident sind nicht mehr zu trennen». Goethe und die Weltkulturen.Potter, Edward T. Marriage, Gender, and Desire in Early Enlightenment German Comedy.Schofield, Benedict. Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag.Twentieth‐ and Twenty‐First‐Century Literature and CultureBarker, Andrew. Fictions from an Orphan State: Literary Reflections of Austria between Habsburg and Hitler.Bielby, Clare. Violent Women in Print: Representations in the West German Print Media of the 1960s and 1970s.Brinker‐Gabler, Gisela. Image in Outline: Reading Lou Andreas‐Salomé.Celan, Paul. From Threshold to Threshold. Trans. David Young.Celan, Paul. Language behind Bars. Trans. David Young.Cooke, Paul. Contemporary German Cinema.Eigler, Friederike, and Jens Kugele, eds. Heimat. At the Intersection of Memory and Space.Frederick, Samuel. Narratives Unsettled: Digression in Robert Walser, Thomas Bernhard, and Adalbert Stifter.Grill, Genese. The World as Metaphor in Robert Musil's The Man Without Qualities: Possibility as Reality.Hake, Sabine, and Barbara Mennel, eds. Turkish German Cinema in the New Millennium: Sites, Sounds and Screens.Jünger, Ernst. The Adventurous Heart: Figures and Capriccios. Ed. Russell A. Berman. Trans. Thomas Friese.Rinner, Susanne. The German Student Movement and the Literary Imagination: Transnational Memories of Protest and Dissent.Thuswaldner, Gregor. “Morbus Austriacus”. Thomas Bernhards Österreichkritik.Wöhrle, Peter. Sprechen, Staunen, Schweigen: Ingeborg Bachmann und Max Frisch im Vergleich.German Studies across the DisciplinesBishop, Paul, ed. A Companion to Friedrich Nietzsche: Life and Works.Eshel, Amir. Futurity: Contemporary Literature and the Quest for the Past.Pan, David. Sacrifice in the Modern World: On the Particularity and Generality of Nazi Myth.Richter, Gerhard. Afterness. Figures of Following in Modern Thought and Aesthetics.
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