Abstract
ABSTRACT Critical scholars assert that the Bharatiya Janata Party is using commercial Hindi films, controlled by the censor board, to portray a ‘Hindu’ version of Indian nationality. Left-liberal intellectuals and activists further claim that Bollywood is also pandering to the diktats of the ruling party by making films which depict a right-wing version of Indian history. Films to a great extent define our social consciousness. This article attempts to show that the two films Bajirao Mastani and Panipat make a conscious attempt regarding the presentist use of medieval Indian history for furthering the process of national integration. Further, these two films partially challenge the patriarchal depiction of women in Indian society.
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