Abstract

This study pays close attention to Chinese slash fanfiction amateur female writers and their writing experiences. This research investigates in what kind of ways their writing experiences relate to a sense of female empowerment. The analysis emphasizes how slash writing as a seemingly individual and private experience connects itself to a larger community of writers and readers, and how this practice extends to the lived realities of gender and sexuality in mainland China. Using qualitative data from epistolary interviews with ten Chinese female slash writers, this study argues that writing slash fanfiction in mainland China is a boundary-blurring art. Through crossing and obscuring boundaries between private and public, fantasies and reality, individual and community, Chinese female slash writers retrieve a sense of agency and empowerment in their experiences of writing slash fanfiction through exploring affective experiences, reconciling with sexual fantasies, and serving and participating in a female community.

Highlights

  • This study pays close attention to Chinese slash fanfiction amateur female writers and their writing experiences

  • Cumberland (2003) and Kalinowski (2014) both stress the dominant participation of women in online fan communities; in parallel with these Western findings, Gao (2020) notices that in mainland China female-oriented cyberspace and cultural production are taking over the field of popular culture

  • That epistolary interviews are highly suitable for obtaining opinions can be seen in my pilot studies, where I published a blog with a tag of Super-Vocal in Sina Microblog, asking the question: “What does it mean to you to write fan fiction in China?” I received more than 60 replies within 48 hours, and many of them exceeded 100 Chinese characters with wellarticulated reasons

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Summary

Introduction

This study pays close attention to Chinese slash fanfiction amateur female writers and their writing experiences. Women writing slash fiction thereby constitutes a more taboo subject in mainland China, due to the multilayered subversion that is freely imagining courtship and eroticism between two males with a cross-gender and cross-sexuality perspective, and as a way to reconfigure erotic needs that goes against the grain of dominant culture. Given this context, this study pays close attention to Chinese slash fanfiction amateur female writers and their writing experiences. Women’s use of cyberspace has made fan websites into women-only clubs

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