Abstract

Eduardo Lourenco referred to Fernando Pessoa as a “Blind Narcissus”, quoting a passage of the The Book of Disquiet (Libro del desasosiego). In its first stage, The Bookof Disquiet has no defined geographical space nor an established historical time; in its second stage, it achieves concrete space and temporal coordinates. The purpose of this text isto evince the importance of those coordinates — those of Lisbon at the beginning of thetwentieth century — and reiterate how important the work of Cesario Verde was for Pessoa and his return to the Book towards 1929, after a creative interruption of almost ten years.

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