Abstract
Located at the end of a quiet side street in the middle of Birmingham, the CBSO centre is the venue for many of BCMG's concerts throughout the year. If the venue seems somewhat hidden away, concealed behind a Victorian red brick façade, the music that takes place inside is certainly not insular. As one of the world's leading contemporary music ensembles, BCMG's longstanding commitment to commissioning new work, and to fostering relationships with composers, has continued since 2016 under the artistic directorship of Stephan Meier. The final UK concert of 2019, Migrating Sounds, provides clear evidence of the ensemble's aims. Of the four works performed, Richard Causton's Transients and Vito Žuraj's Tension for two ensembles were world premieres, Rebecca Saunders’ Scar was a UK premiere, and Shiori Usui's Deep was commissioned by BCMG in 2014. The pieces by Causton and Saunders were also ‘sound investment commissions’, part funded by many individuals who, in return for their support, receive various rewards, including rehearsal and reception invitations. The concert was conducted by Michael Wendeberg.
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